Party- cossack style! The multinational band will be celebrating their 20th anniversary in style - with the audience Pol'and'Rock Festival. Led by the charismatic frontman, who is focused on infusing western music with elements of Eastern-European traditional, eclectic sound, the band draws inspiration from the power of their international, cross-continental heritage.
The line-up of the band consists of emigrants, travellers, people of the road: Eugene Hütz, frontman of the band, was brought up in Ukraine, violinist Sergey Ryabtsef and guitarist Boris Pelekh hail from Russia, bassist, Thomas "Tommy T" Gobena is from Ethiopia, MC and drummer for the band is Pedro Erazo who comes from Equador, Alfredo Ortiz from the US plays on the percussion and they are joined by backing singer, dancer and performer Ashley Tobias from the US as well.
The band created a new, unique quality of sound - blending Ukrainian and Russian folk music with local Yiddish influences, adding that unmistakable Latino groove and crazy punk-rock inspire riffs. Their music has that lyrical folk ballad quality and rebellious punk energy - all in an extraordinary energetic package! In 1999 the New York underground scene heard gipsy punk for the first time. Their debut album hit the shelves and dancefloors hard and fast. Seven albums followed suit.
The band is known for their vibrant live shows - where music, movement, and pure showmanship come together to put the audience under a spell.
"I’m interested in being hypnotised and hypnotising. I’m interested in music as an art form. Brilliant storytelling and sound and physicality… they all merge to put you in a trance." says Hütz.
Gogol Bordello never stays in the same place for long. Bandleader Eugene Hütz started to hear the songs of ''Seekers and Finders'' as he shuttled back and forth between three continents, and the nine-piece ensemble developed and refined them on the road. From its inception, Gogol Bordello has been a band of immigrants, with members hailing from Ukraine, Ecuador, Russia, and Ethiopia. They tour relentlessly. Travel is in their blood.
Yet for all the long hours and far-flung adventures that birthed it, Gogol Bordello’s seventh studio full-length advocates loudly for living life in a specific time and place: right now – and in the real world.
“People think you explore the world with the latest phone in your hand,” says Hütz. That’s the antithesis of living for Gogol Bordello. None of these songs sprang forth from an interesting news story or an extended studio improvisation. “My focus is always on staying experiential. Go for first-hand information, transmute it into wisdom, and share it with the people in a communal celebration.”
The party kicks off with an incendiary exchange of violin and accordion licks, bolstered by full-throated ensemble vocals (“Did It All”), and the excitement doesn’t relent until the final fade of “Still That Way.” There are pivotal moments of rippling marimba (“Clearvoyance”) and triumphant trumpet courtesy of Manu Chao collaborator Roy Paci (“Walking on the Burning Coal”). The frenzied punk rocker “Saboteur Blues” flips a middle finger in the face of French philosopher René Descartes, while “Familia Bonfireball” draws on Hütz’s earliest experiences in Ukraine to illustrate how forming a band provides escape from the demoralizing grind of the industrial revolution and narrowly prescribed destinies.
Time and again, ''Seekers and Finders'' exhort the listener to be present and participate. “Break Into Your Higher Self” accelerates the quest for spiritual enlightenment to lightning speed. On the surface, “Still That Way” might sound like a simple barroom sing-along or even a lighter-waving arena anthem, but it rails against getting mired in nostalgia. “I’m still very drawn to the idea of being with the times.”
That ''Seekers and Finders'' distil lifetimes of experience and emotion into a succinct 38-minute album speak volumes about Hütz’s aesthetic. “Bowie always said his main area of expertise was processing information, and I can relate to that. My storytelling is all about assembling diverse, disparate things and bringing them into focus.”
For all the immediacy of Gogol Bordello’s music, the process of making a new record doesn’t always happen quickly. Following the 2013 release of Pura Vida Conspiracy, Hütz bounced back and forth between South America and Eastern Europe. “I was basically living in Brazil, and going back to Ukraine to do all these cultural projects.” But it was only after he resumed living in New York City that something inside him shifted.
“I never felt content with one home base … I needed three,” the singer explains. “They really complemented one another, and I finally felt like I’d found some very solid, tangible ground for myself in the world.” And suddenly, new song ideas began to coalesce more clearly. “All of this material came out of that triangle – it’s almost an encapsulation of that lifestyle – but it only came into focus after I moved back to New York.”
In keeping with the band’s roots, the title track “''Seekers and Finders''” pairs Hütz with another genre-bending NYC artist who started her career at the turn of the 21st century: Russian-born singer-songwriter – and longtime friend – Regina Spektor. “It’s the duet of the wandering Jew and the roaming gipsy by the campfire, which we represent most perfectly.”
But before recording in New York and Washington D.C., the band had already invested countless hours working up the material. During their extensive tours, Gogol Bordello uses nightly soundchecks as an opportunity to rehearse and develop new material. “Usually, I craft the songs and then the band arrives and makes them better, composed adventurous pieces. This time, however, I welcomed the band’s creativity from the getgo. Many late nights followed as we captured the magic amongst us. It felt like it did when I was making my first recording ever where capturing that luminescence is the most important thing in the entire world.”
''Seekers and Finders'' also marks another return, as Hütz resumes production duties after entrusting them to outside producers including Rick Rubin (Transcontinental Hustle, 2010) and Andrew Scheps (Pura Vida Conspiracy, 2013). “Our path has blessed us with those grandmasters, but I’ve always had a strong D.I.Y. ethic and knew eventually I wanted to get behind the wheel myself! It was like being a matador facing the beast of Gogol’s collective creativity.”
And what was Hütz’s biggest takeaway from experiencing all those different approaches to record-making? A reinforced belief that you should never stray too far from your original idea. “Capture the moment … the moment is king.”
There were many stops along the path to Gogol Bordello’s ''Seekers and Finders'', and many more to follow. As pleasant as it may feel to set up camp for a spell in Brazil or Ukraine or New York, ultimately the roving storyteller must move on.
“When I was in my twenties, that just seemed like a romantic notion,” Hütz concludes. “But here I am, still cruising around with my guitar like The Fool on a tarot card. And there’s actually great comfort in that. There’s something rewarding and fulfilling about commitment to a destiny … even if it’s a pretty funky one.”
Thus ‘''Seekers and Finders''’ comes from a very wide and magical playground, a playground where people are still explorers who climb trees and walls across the world to seduce the hero of their heart… The playground where you get to see all sides of Gogol Bordellos path: The Good… the Bad… and the Snugly.
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